Charlotte Coleman really is so adorable and insolent in Oranges, very much inhabitant.
Now we know where the L Word got it's carnival imagery from. Mia Kirshner is supposed to be the new, Jewish, Charlotte Coleman.
The series itself is whatever, particularly sparkly because of her, but otherwise a little unremarkable. Perhaps it's been spoilt by my having watched the stage adaptation in York. Makes me wonder at the source material, since it was adapted by her anyway.